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Twelfth Floor Tanja Liedtke
Amelia McQueen & Kristina Chan. Photo: Chris Herzfeld  
 
Choreographer/Director:
Tanja Liedtke
Sound Artist:
DJ Tr!p
Design:
Gaelle Mellis
Video:
Closer Productions
Creative Co-ordinator & Remount Director:
Solon Ulbrich
Dramaturg & Script Development:
Consultant Dramaturg:
Dancers:
Joshua Tyler

Paschal Berry
Anton, Kristina Chan, Joshua Tyler, Amelia McQueen, Paul Bary
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Winner of the 2006 Australian Dance Award for Outstanding Achievement in Choregraphy, Twelfth Floor was described as "brilliantly incisive and perceptive... disturbing, laugh-aloud funny and tragic," (Jill Sykes, Sydney Morning Herald).
 
“Twelfth Floor is a landscape in which we become confined observers. Sometimes searching for exits, sometimes happy to remain.” Tanja Liedtke.

Characters emerge and unravel in this darkly funny physical exploration of human interactions in confinement, set in a mysterious institution.

As the house lights go down, we see a stark insitutional space, with green walls and broken furniture. Two bored men play one contest after another, searching out the limits of the space confining them… and of their own bodies, in a powerful display of muscularity and masculinity. A third quietly creeps from shadow to shadow, chalking messages of escape, hope and desperation.

A door opens. Enter a new arrival, a timid young woman escorted by a uniformed figure, her movements as absurdly controlled as the regime she enforces. For the next hour, five extraordinary dancers unleash virtuousic performances, as powerful as they are precise, playing out shifting relationships of desire and power, of hope and despair.

A rich texture of dance, theatre, movement, video and DJ Tr!p’s moody electronica make a sophisticated and original work, shifting effortlessly from tender, lyrical moments to brooding menace to explosive physicality.

“A lot of Australian dance is very nice, but that’s not enough. I want to get to the underbelly, to see people as complex — affection and hostility are such great physical premises for dance.” Tanja Liedtke

It’s a fresh and powerful work from one of the most exciting new voices in Australian contemporary dance. The ensemble features some of the hottest young artists around, with an impressive and diverse body of work with all the major contemporary dance companies, as well as in classical dance, theatre, and circus.

Australian Dance Awards 2006

* Winner, Outstanding Achievement in Choreography
"For a work of clarity and innovation, utilising choreographic form to convey a detailed and complex concept – a mature, imaginative and confronting piece displaying vision and inventiveness and a sophisticated combination of diverse performance elements".

* Winner, Kristina Chan, Outstanding Performance by a Female Dancer
"For an exquisitely measured performance of great skill, charisma and technical excellence".

* Nominated, Outstanding Achievement in Independent Dance
* Nominated, Paul White, Outstanding Performance by a Male Dancer
* Nominated, Outstanding Performance by a Company

Twelfth Floor is toured in the U.K. by Dance Touring Partnership

  Dance Touring Partnership 
  Production History: May – June 2006, Mobile States Australian Tour (Adelaide; Perth; Sydney; Melbourne; Hobart) In Feb/Mar 2009 the show toured extensively through the UK with Touring Dance Partnership. 2009: RADIALSYSTEM V, Berlin &Theaterhaus, Stut 
    
   
Downloads  
Show Information Pack (252.5 K PDF)
Archived Programs
 

"This brilliantly incisive and perceptive dance work is disturbing, laugh-aloud funny and tragic. In turns and at the same time. As I write, tears are filling my eyes. That is how strongly it affected me - then, now and, I expect, for a long while to come."

Jill Sykes,
The Sydney Morning Herald, 27/5/06

" Emotions whirl and seesaw as the four inmates of this prison, psychiatric ward, school, hospital - whatever it is, you wouldn't want to be there - create brief lives between the matron's viciously controlling visits. Liedtke differentiates her characters brilliantly… Their swings from comic elation to tremulous apprehension and sexual vindictiveness are mirrored in the stunning athleticism of their performance. Twelfth Floor is rich, powerful and compelling. "

Allen Brissenden,
The Australian, 12/5/06

"Strategic use of script development (though no dialogue) by Joshua Tyler, and dramaturgy by Paschal Berry insured that dance does not impede conviction. The performers are exceptional, each utterly convincing in their character-driven cameos. Despite its short run, this show is a must-see."

Hillary Crampton,
The Age, 2/6/06

   
 

 

   
 
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