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embrace: GUILT FRAME De Quincey Co
  
 
Created and Performed by
Tess de Quincey and Peter Snow
Original Concept
Tess de Quincey
Set Design
Russell Emerson and Steve Howarth / Erth
Sound Design
Michael Toisuta
Lighting Design
Travis Hodgson
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Click to enlarge
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With absolute simplicity, two performers are literally ‘framed’ as they create a living portrait that illuminates the shape and rhythms of our inner life.
 
Drawing together work from three countries – Japan, India and Australia – dancer and choreographer Tess de Quincey with actor Peter Snow negotiate the eight states of human emotion, as outlined in the Natyasastra – the cornerstone of artistic practice in India. Integral to the piece is Michael Toisuta’s evocative Homage to Ligeti which takes its inspiration from Gyorgi Ligeti’s Poeme Symphonique for 100 Metronomes.

The performers invite the audience to a discussion over a drink after the performance. This conversation is an integral part of the piece. Teasing out questions and responses to the work, it engenders a warm and lively 'other half' of the performance, the verbal articulation completing the full circle of sensory experience.

embrace: GUILT FRAME was co-produced by De Quincey Co and Sydney Theatre Company and presented at Sydney Theatre as part of the 2008 Wharf 2LOUD season. It was remounted in December 2009 at La Mama Courthouse Theatre in Melbourne. The piece is a part of the 'embrace' series of performances, which are an ongoing exchange between Australian and Indian artists.

  De Quincey Co 
  A co-production with Sydney Theatre Company. Peter Snow appears courtesy of Monash University. 
   
Downloads  
Show Information Pack (280.9 K PDF)
Available Program
 

"The two faces in front of you, scarcely moving, are plunging through a sea of emotions... drawing you into an intense 40 minutes of observation and response... It is something to see - and feel. "

Sydney Morning Herald

"...together they are mesmerising. "

The Australian

"...the 40-minute journey is as mesmerising as it is inexplicably profound. ...the work is elegant, simple, complex, profound, stark, elusive - yet never daunting. It is wonderfully easy to watch and very effecting. "

Australian Stage

   
 

 

   
 
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