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Missing the Bus to David Jones Theatre Kantanka
  
 
Direction/Original Concept
Carlos Gomes
Performers/Devisors
Valerie Berry
Rosie Lalevich
Arky Michael
Phillip Mills
Kati a Molino
Kym Vercoe
Dramaturgical Consultant
Annette Tesoriero
Audiovisuals
Joanne Saad & Fadia Aboud
Sound Design
Nick Wishart
Lighting/Visuals
Sydney Bouhaniche
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Missing the Bus to David Jones is a new performance exploring the mostly unknown, and frequently hidden, universe of the women and men in nursing homes.
 
This poetic reflection combines text, physicality, new media and sound to enter a surreal world of altered minds and changing bodies.

In this moving and humorous performance, Kantanka looks to the future. Frailty, isolation, memory loss, fragile new friendships, the comfort of a woollen wrap. Your twilight years in a nursing home? It is not for everyone.

Missing the Bus to David Jones was developed by Theatre Kantanka through a series of residencies in nursing homes across Sydney in 2008. They came face to face with the daily routines of those living in care. In many ways there was a common response to the ensemble being there. The people the performers met, often vulnerable and institutionalized, came alive when their stories were listened to.

Kantanka immersed themselves into this surreal world of altered minds and changed bodies; a world that is at times brutal, sad, sometimes humorous and above all, very human. This world provided a space for reflection, on the nature of ageing, and on what it is to be human. Missing the Bus to David Jones is provoked by this hidden universe, where memories and bodies clash with reality, time and perception.

This new work is an interdisciplinary performance engaging cross-cultural artists from diverse backgrounds and art forms. The performance of Missing the Bus to David Jones fuses text and physicality devised by performers Valerie Berry, Kym Vercoe, Arky Michael, Katia Molino, Rosie Lalevich and Phillip Mills. The multi-media work of Joanne Saad and the lighting design of Sydney Bouhaniche enhance the surreal landscape of the piece, together with a soundscape by Nick Wishart. Director Carlos Gomes fuses these elements with sensitivity and precision to create a haunting visual and physical performance.

Missing the Bus to David Jones was received with an astonishing outpouring of positive reactions, by audience and critics alike.

In an age when ageing is the new challenge, Missing the Bus to David Jones is a work that confronts and entertains its audience.

  Theatre Kantanka 
   
    
  Missing the Bus to David Jones was researched and developed with support from the Translab Cross Cultural Residencies Program - an inter-cultural development initiative of the Theatre Board of the Australia Council, in residencies at Performance Space and at Campbelltown Arts Centre, and presented by Campbelltown Arts Centre in partnership with Theatre Kantanka, and then by Performance Space at CarriageWorks, in October 2009. 
Downloads  
Show Information Pack (700.8 K PDF)
Available Program
 

"These [nursing] homes might be considered the unlikeliest place to find celebration or solace but in Carlos Gomes’s production, they contain the meaning to life… Gomes has created an ensemble piece with movement, storytelling…The result is one of the most celebratory pieces of theatre you will encounter. From the intricate hand movements of the performers to the sadness and humility of the stories, it will make you laugh and reflect… This is a wonderful show. Take an elderly relative. "

The Sun Herald

"This is truly one of the most beautiful productions I have seen in a long time… Director Carlos Gomes’s sensitive and inventive production that balances the work on a knife-edge between laughter and tears… I do hope organizations with the resources to pick up this show and give it a further life consider that option seriously. Trust me on this one: it’s a fabulous show."

www.jameswaites.com

"This intensive research has paid dividends…Here is the teapot without the cosy, a naked exposition of later life… The performance sears and soars, with no unwarranted sentimentality… There is potency in this piece, inasmuch as it’s impossible to sit through it and fail to wonder, ‘is this the me to come?’… I struggle to think of a production where all its parts are valid and valuable: nothing is disappointing or dispensable here… They translated reality into a viable, believable, dramatic and compelling theatrical work… For your own sake, don’t miss the bus. "

Australian Stage Online

   
 

 

   
 
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