Performing Lines began
life in 1982, as the Australian Content
Department of the Australian Elizabethan
Theatre Trust. In May 1990, the Department
incorporated as Performing Lines, an independent
non-profit organisation.
Performing Lines has worked with over 50
Australian companies. Some of the successes
include Nigel Jamieson and Paul Grabowsky’s
extraordinary collaboration with Indonesian
artists, The Theft
of Sita; Wesley Enoch and Deborah
Mailman’s The
7 Stages of Grieving, William Yang’s
Blood Links,
Shadows, &
Objects for Meditation, and Kate
Champion’s Same,
same But Different.
Other productions produced and/or toured
by Performing Lines include Melbourne Workers
Theatre's Who's
Afraid of the Working Class?, the
Griffin Theatre Company's production of
Andrew Bovell's Speaking
in Tongues and Hilary Bell’s
Wolf Lullaby, ur/faust
by Benedict Andrews, Leah Purcell in
Box the Pony, Ranters Theatre Company's
Features of Blown
Youth, White Baptist Abba Fan by
Deborah Cheetham, as well as physical theatre
shows by Club Swing, Rock 'n' Roll Circus
and Legs on the Wall.
Of the outstanding shows presented by Performing
Lines, several have notably influenced the
national theatrical agenda. Performing Lines
toured Robert Merritt’s The
Cake Man to Denver, Colorado in 1982
– the first time an Australian Indigenous
production received an invitation to a World
Theatre Festival. Other significant works
include Jack Davis’ The
Dreamers, No Sugar and
Honeyspot, Meryl Tankard’s
first work as a choreographer and director,
Echo Point, Handspan Puppet Theatre’s
Secrets and Four
Little Girls, Sydney Front’s
Don Juan, Sally Morgan’s
Sister Girl and the Aboriginal musical
Bran Nue Dae.
More recently, Performing Lines has produced
or toured some of the most exciting and
significant contemporary theatre and dance
practitioners, including Lucy Guerin, Tanja
Liedtke, version 1.0, Chamber Made Opera,
Jenny Kemp, Back to Back Theatre, Margaret
Cameron & Linsey Pollak.
For detailed information on past productions,
visit Previous Tours. |