Shan Turner-Carroll (b. 1987) is an Australian artist of Burmese descent. Deeply fascinated with unearthing tacit knowledge, his practice integrates mediums including photography, sculpture, performance and film. The artist’s practice interrogates both human and non-human nature, alternative forms of social exchange and interactions between art, artist and viewer: sending and receiving signals. His work can sing to snakes, serenade and signal with aliens, and barter with islands, rivers, and oceans. Looking towards the multiplicity of connections between body and landscape, site-specificity is key to his practice, not only in making, but rather in how an embodied methodology of making emerges upon each site and location. Turner-Carroll sees art-making as ritualistic and transformative, using play, humor and experimentation as key elements within his current practice.
His work is in the collection of Art Gallery of New South Wales, Sydney; Maitland Regional Art Gallery, Maitland, Australia; The Macquarie Bank Collection; The University of Newcastle, Newcastle, Australia; Curve Gallery, Newcastle, Australia.