My hope is to challenge contemporary notions of resilience; that one must ‘overcome’ in a big or dramatic way. By reaching out to people on the fringes of society and bringing to light their narratives, I hope to create a work that speaks to the whole rather than the few.
A stirring deliberation on the choices we make and how they shape our lives, Black Brass is a theatrical feast; playful yet mysterious. Written and performed by Mararo Wangai, joined live onstage by musician Mahamudo Selimane, this intimate and soulful experience celebrates stories of resilience – private victories rather than public actions.
Arriving to clean a music studio late at night, Sleeper encounters a stranger who speaks only in music. The man is fascinating and oddly familiar. Slowly the pair are drawn into each other’s orbit, as each man tries to reconcile a past that refuses to let go and a present that is unwilling to accept. Through flashback narrative and music, moments of darkness are tempered by soulful songs as the pair hurtles towards a pivotal decision that must be made come sunrise.
Black Brass draws inspiration from interviews conducted with Perth’s Zimbabwean, Sudanese, South African, Central Congo, Mauritius, Nigerian, Congolese and Kenyan communities on the theme of resilience. Through its story it gives voice to the marginalised, offering a window into the lives and voices not often heard in the theatre.