One of the finest examples of independent Australian theatre in years.The Guardian
In an epic endurance performance, Nat Randall repeats a single scene inspired by the John Cassavetes’ American meta-theatrical drama Opening Night. 100 times over a 24 hour period, Randall performs over and over a scene between a man and a woman in a relationship that has lost its creativity, romance and vitality. Starring opposite Randall are 100 different men drawn from the local community.
The scene is captured on multiple cameras and projected live alongside the staged performance, highlighting minute details of expression and variations in performance. The Second Woman makes a public spectacle of the affects and styles of connection involved in a scene of stranger intimacy. Through the repetition of this intimate exchange, The Second Woman explores the generic and gendered conventions of emotionality, as well as the affective and relational nature of gender identity.